Jimmy Page has been remastering the Zep catalog again, and we’re about to get a new version of Led Zeppelin IV. I’m on the fence about the whole remastering the same stuff for the umpteenth time. One the one hand, I like having crisper, cleaner versions of my favorite tunes to listen to in my car on my iPod. On the other, I worry that this is a bit like George Lucas fiddling with the effects and adding deleted scenes back into the original Star Wars trilogy – something that is flat out yucky at its worst and pointless at best. Continue Reading →
I’ve spent decades writing about music. I backed away from that as a constant pursuit several years ago because the things people were willing to pay me to write about, in terms of bands/artists/records were mostly things that I had a hard time finding anything positive to say about. It can be fun to savage something truly awful, but at some point that just gets tiresome. As amusing as it might seem to be a professional curmudgeon, in actual practice it’s heartbreaking.
I got involved in playing music, in writing about music because I loved it. And if you love something it hurts your heart to see it go south. Continue Reading →
Tommy Ramone has left the building. There are no more original Ramones. Continue Reading →
Finding motivation to exercise over the holidays can be tough. One thing that can help – energetic music to get you in the mood to move. Here’s an hour-ish of music to get your feet movin’.
Merry Christmas, all.
I unabashedly love the Doors. Always have. I never connected to most of the music that came out of the Summer of Love. But the first time I heard the Doors I heard something I connected with. I think, even at a young age, I knew that the grit and mystery in their music represented the world a lot more accurately than the music of their peers did.
My Doors fandom is, honestly, what led me to engage with punk and metal later on. The first of the UK punk bands I got into was The Stranglers, who were unabashedly and obviously picking up where the Doors had left off. There was a much, much more direct relationship though between X and the Doors, since Ray Manzarek was directly involved in the creative process that brought us the first four X albums, Los Angeles, Wild Gift, Under The Big Black Sun and More Fun In The New World, sitting in the producer’s chair for all four records.
Sitting here in 2013, in a world where punk rock is much more mainstream and accepted than it was in the late 1970s, it probably seems strange to a lot of people that Ray Manzarek, musical leader of a pre-eminent 60s group, would be involved with (pause for dramatic effect) a “punk” band. But what I don’t think people realize is the gap between the world of late 60s rock and punk rock are musical cultures separated by about three or four actual years.
To put this into perspective, these days major artists, like U2 or Green Day, make a new record about once every four years. Until the late 1980s it was much more common for an artist to make a new record every year, so even though the Doors had been dormant since 1973 (Krieger, Densmore and Manzarek kept working together as the Doors for a couple of years after Jim Morrison’s death – and even considered replacing him, with the most well-known candidate for the job being Iggy Pop), Ray Manzarek was still active in the LA music scene at the point when he connected with X. Musically, X certainly had much more in common with the Doors than they did with the biggest hit bands of the mid-70s (ELP, The Eagles, Fleetwood Mac).
Personally, I’m so glad the silos that music has been cordoned off into in the past 25 years or so didn’t exist in the mid-70s. If you read the linked article it’s obvious that Ray’s experience was crucial to X getting it right with their first four LPs. He fit in with them well, and his presence in the room made their music better.
This man gets it.
Thanks to Greg Utter for posting this to his FB account. Reminded me a lot of touring, and everything… every word, Jon Wurster says in the article is true, and applies equally well to guitar players, bassists and singers as it does to drummers.
Read it. Learn it. Live it.
I’m going to lighten it up here a bit. Lots of heavy stuff posted in the past few days, and then oddly enough, I look at my site stats and see that one of the most popular posts on this here site is my annual dress-down of the pop charts from 2004. Hmmm. Ok, time to rip some people a new one over things that, ultimately, just don’t matter.
Let’s have a look at the top 20 songs from 2012:
Well, this starts out well… if you want to spew some hate. This isn’t even a song. It’s a drum machine beat with a rudimentary rap over the top. Seriously? This is the 20th most popular song of the year? Things are much worse in the music biz than I could have ever imagined.
#19 – Train – The Drive By
I’m so depressed that this… this, is the first entry by an actual band in the top 20. Eegads, this is just awful.
Ok, suddenly I don’t hate that Train song quite as much. I am truly baffled as to why the massively auto-tuned Adam Levine is considered such a great singer that he gets to judge other aspiring singers on a TV gameshow about singing. This song makes me want to punch random strangers in the nuts.
#17 – Flo Rida – Whistle
There are dumber songs than this that have become classics and enduring favorites. All I can say is that I truly, deeply hope this song isn’t one of those.
#16 - Flo Rida – Good Feeling
Same artist, totally different song. First song on this list I actually like. It’s got an interesting groove and when Flo Rida starts rapping it’s got some power to it. Works as the kind of song they play over the PA at big sporting events.
#15 – Katy Perry – Wide Awake
Ok, so I have a daughter, and she loves Firework, and because she loves it, I’ve grown to love it, and actually gotten to the point where I get misty-eyed whenever I hear it, so I can’t loathe Katy Perry the way I truly want to. Still, this song is a turd.
#14 – fun – Some Nights
Paul Simon called and he’d like his royalties from Me & Julio Down By The Schoolyard.
Not #1? Really? Hear me out people. Sure, this is a novelty song, that loses something if it’s not accompanied by the video, but it’s hilarious. Trust me, this is the song people will remember when they try to think back to 2012.
Ok, so she can sing, but she’s like the Smiths gone rabid. I hear her songs and I want to hang myself.
#11 – Flo Rida – Wild Ones
Wow. Three songs in the top 20 in one year. I guess it’s official, 2012 was the year of Flo Rida, as far as pop music goes. Congrats dude. And no wonder this one is your highest chart position. It’s your standard macho rapping fused with what sounds like an Adele song. Makes me want to kill myself to a fresh beat. Bleah.
Kiddie pop. How do I know? Because my 7 year old daughter sang this so much I had it committed to memory within weeks after it was released. The lyrics confuse and disturb me though. Apparently the thing that makes you most beautiful is that you have no idea that you are. So, did girls all over the country who have an inkling that they might be beautiful become self-conscious because of this song? It’s not awful, but I could do without it.
This song is just a mess. Catchy hook, but lyrically confusing and production that makes it seem like they were striving for something epic, and then it just turns into mayhem.
Lady, you’ve got a terrific voice, but wrapping it in the junk that this song represents is a huge waste of talent. Anyone, and I mean literally anyone, can make a techno backing track that sounds like this. Heck, GarageBand has pre-built junk that sounds more imaginative than this generic crap. Find a songwriter to create actual music for you and your voice.
This song is a great example of everything that’s wrong with the modern music business. The melody of the song’s chorus is indistinguishable from a commercial jingle. I feel like this was written to be in the background of a tampon ad. Kelly’s another singer with a great voice who really needs to find better producers and real songwriters to pen songs for her to sing. This is just crap.
I’d be surprised if you came if you did it with these boys. Seriously, this is just a horrible, horrible pseudo latin song that should be quickly forgotten.
The first time I encountered this song was in a dance club and I was mesmerized by the music video that was on the screens around the room. Not because it was particularly good, but because it was so amateurish. I know people who have spent piles of money and effort to make videos that were miles beyond this one. But OK, so it’s about the song, the the video, right. So what the hell, man? This song sounds like it dropped in out of 1982. It’s all keyboard pads and stiff drum machine beats. This is just weird.
#4 – Maroon 5 – Payphone
It’s Captain Auto-Tune again. With a song about a technological anachronism. Payphone? Really? What a maroon.
#3 – fun – We Are Young
Then why does this song sound so old and tired? I sense a trend in the music of 2012 – it’s dismal.
If you ignore how utterly ubiquitous this song was for so much of the year, it’s actually a pretty nifty little pop song. And here’s the thing – in a year in which non-depressing songs were scarce, hurray for the blithely positive little tune.
First time I heard this, I thought it was a Police song, recorded in 1983 but unreleased until now. Fascinating that quirky pop like this can still resonate with so many people.
So, there you have it. the 20 most popular songs of 2012. Let’s hope 2013 brings more fun and less dire pop.